Architectural Historian, architect
Alla Vronskaya and Elina Amann, last edited on 11.04.2023
Name:
Georgeta Gabrea
Life Dates:
b. 1953
Country:
Employers:
Subway Construction (Metroul) Design Institute, 1978-1986
Bucharest Project (“Project Bucuresti”) Design Institute, 1986-94
Field of expertise:
Architectural history, subway construction, residential buildings
Education:
Andrea Palladio International Center for Architectural Studies, Vicenza, Italy, 1974
Ion Mincu Institute of Architecture, 1978
Born in 1953, Georgeta Gabrea studied architecture, with the specialization in the history of Romanian architecture, at the Ion Mincu Institute of Architecture. In 1974, she also studied at the Andrea Palladio International Center for Architectural Studies, Vicenza, Italy. She graduated from the Ion Mincu Institute in 1978. During the 1970s, she co-authored several articles in the journal Arhitectura.
Between 1978 and 1986, Gabrea was employed at the Institute of Subway Construction (“Metroul”), where she worked on the design of several subway stations and residential buildings in Bucharest. In 1986, she moved to Bucharest Project (“Project Bucuresti”) institute, remaining there until 1994. There, in collaboration with Venera Trisnevschi-Geta, Gabrea worked on the projects for the Bucharest Municipal Library, the “Boema” Musical Theatre, and the sports complex at the Country Club. In 1992, Gabrea and Trisnevschi-Geta started their independent architectural practice, Capitel Ltd., which specialized in private houses, office buildings, and shopping malls.
Gabrea’s archive is housed at the International Archive of Women in Architecture at Virginia Polytechnic Institute.
Feuerstein, Marcia and Milka Bliznakov, “New Acquisitions: Women Architects in Romania,” IAWA (International Archive of Women in Architecture) Newsletter, Fall 2000, Nr. 12: 2-4. Available online: https://iawacenter.aad.vt.edu/wp-content/uploads/2022/03/IAWA-Newsletter-Vol.-12-2000.pdf
Lazăr, Mihaela and Marilena Negulescu, “Romanian Women Architects in Preserving Cultural Heritage” in Seražin, Helena, Emilia Garda, and Caterina Franchini, eds., Women’s Creativity since the Modern Movement (1918-2018): Toward a New Perception and Reception. Ljubljana: MoMoWo, 2018, 311-320.