Leila Pärtelpoeg

Interior designer, educator

Elina Amann, last edited on 28.10.2022

Name:

Leila Pärtelpoeg

Life Dates:

b. 1927

Country:

Employers:

Inspector of Art Monuments at the Ministry of Culture in Tallinn (1954 – 1955)

Interior architect in the advertising and design office of the Estonian branch of the Chamber of Commerce of the Soviet Union (1954 – 1961)

KIPR Design Bureau of the Ministry of Trade (1961 – 1978)

Lecturer in interior architecture and furniture design at ERKI (1961 – 1982); associate professor (since 1973)

Field of expertise:

Interior design, education

Awards:

Honoured Architect of the Estonian SSR (1984)

Estonian Cultural Foundation Annual Award for Architecture (1997)

Short Biography

Born in Tallinn on 17 September 1927, Leila Pärtelpoeg specialised in the design of historical furniture. She studied architecture at the Tallinn Polytechnic Institute from 1946 and graduated from the Estonian State Art Institute in 1954.

Shortly afterwards, she worked for a year at the Ministry of Culture as an inspector of art monuments. At the same time, Pärtelpoeg became active in her actual profession: In the advertising and design office of the Estonian branch of the Chamber of Commerce of the Soviet Union, she worked with Salme Liiver and Maimu Plees (Estonian designer) on interior design projects until 1961. From 1961 to 1978 she worked in the design office KIPR of the Ministry of Trade and taught interior architecture and furniture design at the Estonian Art Institute. She was an associate professor there from 1973. Her position at the Art Institute ended in 1982. Before she was granted professorial status, she was in contact with architects from Finland and worked on the furniture history of the Hermitage in Leningrad and on historical furniture of East Germany.

In 1993, after Estonia’s independence, the interior designer received a grant from the Nordic Council of Ministers of Historical Interiors in Denmark and Finland.

Since 1984, the interior designer has been honoured with several awards. Her first recognition was that of the Estonian SSR as an honoured architect. Collectively with other participants, she was awarded the Estonian Cultural Foundation Annual Prize for Architecture for the project of the historic interiors of the Riigikogu Chamber (Estonian Council of State/Parliament).

Pärtelpoeg has two daughters with the sportsman and skier Ilmar Pärtelpoeg: a jeweller named Mai Pärtelpoeg and Kadri Tarbe, who took her mother as a role model and also became an interior architect. Pärtelpoeg herself was also active in sports and became the Estonian SSR slalom champion at the SSR Alpine Skiing Championships and won other medals in tennis.

Work

During her time as an employee of the Soviet design offices, she designed the interiors of shops and cafés, as well as restaurants in Tallinn and other Estonian cities. Her work was oriented towards the modernist style with accents from the organic architecture of neighbouring Finland. This type of concept can be seen in the interior of the library of the Academy of Sciences in Tallinn, which she designed in 1963. Collectively, she was responsible for the interiors of Tallinn City Hall and the Kreutzwald Memorial. Both projects had been running since 1976 and ended in 1989. Pärtelpoeg was convinced that the furniture of historical buildings tells part of the story. Therefore, she designed interiors of mansions with the old original furniture. These include Palmse Manor from 1972 to 1986, Rägavere Manor from 1979 to 1983 and Sagadi Manor from 1982 to 1986.

As a professor at the State Art Institute, she worked together with a group of students on a research with survey work of the buildings of Ruhnu – the most southern island of Estonia in the Baltic Bay of Riga – on behalf of the Estonian National Museum. The aim was to develop a concept for the existence of the island village of Ruhnu. The interior architect designed the Ruhnu Museum in 1988 together with Marika Reintam – one of the museum’s senior staff members. The museum displays a collection of the inhabitants’ cultural heritage and aims to preserve the island’s history.

Fig. 1: Leila Pärtelpoe together with Elisabeth Norman (1910-95), the last Ruhnuro Swede living on Ruhnu Island
Fig. 2: Interior of the Kreutzwald Memorial
Fig. 3: Interior design of the Ruhnu Museum

Illustration credits

Main image: http://entsyklopeedia.ee/meedia/p%C3%A4rtelpoeg_leila1/partelpoeg_leila2 (last accessed 28.10.2022)

Fig. 1: http://entsyklopeedia.ee/meedia/p%C3%A4rtelpoeg_leila1/liisi_norman_ja_leila_p%C3%A4rtelpoeg1 ; http://kultuurielu.ruhnu.ee; RMF 36:30 (last accessed 28.10.2022)

Fig. 2: http://entsyklopeedia.ee/meedia/p%C3%A4rtelpoeg_leila1/p%C3%A4rtelpoeg_leila_kreutzwaldi_memoriaalmuuseum_v%C3%B5ru1 ; http://www.voru.ee/ (last accessed 28.10.2022)

Fig. 3: By Piret Ounapuu; Vaade Ruhnu Muuseumi interjöörile, ERM Fk 2775:52, Eesti Rahva Muuseum, http://muis.ee/museaalview/514667  (last accessed 28.10.2022)

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